Oil Painting - Underpainting part 2

Second part of the underpainting process. I basically redid all of the steps as illustrated by the first part. However, redoing a painting was a helpful process, as I know was a bit more comfortable with the feeling of the paint, as well as how the brush and paints would react with the turpenoid. I was able to be a lot thinner in regards to the paint, and in turn got a more solid painting. Considering I would be painting the colors over this underpainting, it would be useful to keep the underpainting fairly thin when possible.

Also paid extra attention to the anatomy this time around. As demonstrated by the picture below, the results could be drastically different as a result.